現Slice of life · gen · what is present
The diary
A notebook written at street level: the tiny apartment, the fifty thousand yen a month, the train rides, the grey working days paid for in hours of life.

東京Novel · Christian Delgado · Tokyo
«Energeia and I.»
A note on reading
This is not a book split into parts. It is one single reading in which two stories advance side by side, chapter by chapter: an intimate notebook written at street level in Tokyo and, on the reverse of that same city, a thread of magical realism that only becomes visible once the eye has been trained.
現Slice of life · gen · what is present
A notebook written at street level: the tiny apartment, the fifty thousand yen a month, the train rides, the grey working days paid for in hours of life.
幻Magical realism · gen · what appears
What happens in the same city when nobody is looking: a thousand-year forest opening under the rain, an immense owl in the mist, a library hidden among cedars.
The finite is the beautiful. To fight the best fight within a finite life.
From the preface
Where the reading begins
There I was, at that moment of existence and of life, alone in one of those so-called micro-apartments of Tokyo. The day had a greyish atmosphere…
Yumiko, that was her name. I met her by chance in a bar. I had to call her Hayashi, by her surname, and add the polite suffix «san»…
I walk, I walk; I have been walking for days. The first hundreds of hours were glorious. I did not walk to arrive; I walked for the act of walking itself.
Before dawn, an orange cat doll falls onto the bar. Yumiko and I discover that we have both spent years hiding the broken part no one wants to see, hoping to find someone unafraid to truly look at us.
“You have slept for two whole years,” the owl tells me. I turn and face my fifteen-year-old self: a frightened child laden with medals, his fingers hurt by relentless self-demand. It was time to lift the weight and embrace him.